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"Arctic Ravens" limited edition blanket

Artist: Kenojuak Ashevak

Medium: woven wool Pendleton blanket
Size: 80 x 64 inches
Edition: 1000
Price: CDN$375.00
Ref: PEND2009-01
All measurements Height x Width x Depth


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Celebrating the 50th Anniversary of the
Cape Dorset Print Collection (1959-2009)

Spirit Wrestler Gallery is very pleased to announce the special release of the Arctic Ravens Pendleton blanket. The release is timed to commemorate the 50th anniversary celebrations for the Cape Dorset Annual Print Collection (1959-2009), with the image drawn by the legendary Canadian Inuit artist, Kenojuak Ashevak CC RCA, of Cape Dorset.

Kenojuak is today considered to be a national living treasure and has received every award and honour that can be bestowed on a Canadian artist. She has participated in almost every Cape Dorset Annual print collection since 1959. Now eighty-two years old, she has retired from active drawing, but her legacy as the most celebrated Inuit artist continues to grow, particularly in consideration of her contribution to the entire history of the Cape Dorset print collection. Her art is to be found in major museums, corporations, and private collections internationally. Her 1960 print, the Enchanted Owl, is considered an icon of Canadian art, and was selected as a postage stamp for Canada. It also holds the record for the highest value paid for any Canadian limited edition print. Numerous other images over her long career continue to be among the most sought-after Inuit prints.

In 2002, Kenojuak was invited to design the first Inuit blanket for Pendleton. Entitled Arctic Owl, it was released as part of her solo exhibition at the Spirit Wrestler Gallery and was extraordinarily well-received. For the 50th Anniversary, it seemed fitting that both Kenojuak and the community of Cape Dorset be honoured today with this great second project.

Arctic Ravens is an original Kenojuak Ashevak Pendleton limited edition blanket, produced with the consent and approval of the artist and the West Baffin Co-operative. The design came from a merging of two of her original drawings from her solo exhibition at the Spirit Wrestler Gallery in 2002. The drawing, Mirrored Ravens, provided the central raven images, and the Loomed Birds drawing was used for the border, which she had designed specifically for the first blanket project. The colours selected are both faithful to the original drawings and are also her personal favourites from her diverse palette.

The Pendleton Woolen Mills has been producing First Nations designed blankets since 1912. This blanket is the fourth collaboration between Northwest Pendleton and the Spirit Wrestler Gallery and it has been a pleasure to work with this great company. We are all honoured to have the opportunity to participate in the celebration of this historic anniversary for Cape Dorset with this extraordinary blanket.

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Kenojuak Ashevak

Kenojuak Ashevak
CC, RCA

(1927- )
Inuit

Cape Dorset, Nunavut Territory, Canada

Kenojuak Ashevak is one of Canada's most acclaimed graphic artists. Her long list of achievements and honours is surpassed only by her stamina and good humour.

Born on south Baffin Island at a camp area known as Ikirisaq, Kenojuak grew up travelling from camp to camp on south Baffin and in Arctic Quebec (Nunavik). As a young woman, she was married to Johnniebo and lived with him in various camps including Keakto, a scenic area seven miles from Cape Dorset. While still living at Keakto in the late 1950's, both Kenojuak and Johnniebo first experimented with carving and drawing. They moved to Cape Dorset in 1966 in order for their children to attend school, and continued to work closely together until Johnniebo's death.

Kenojuak's drawings were immediately captivating, and she has been represented in almost every annual print collection since 1959. Her work has also been included in numerous special projects and commissions. In 1961 she was the subject of a film produced by the National Film Board about her traditional life and art. The film is still shown today, and was instrumental in introducing her to the world beyond Cape Dorset. In 1970 her print, Enchanted Owl (1960) was reproduced on a stamp commemorating the centennial of the Northwest Territories, and again in 1993 Canada Post selected her drawing entitled "The Owl" to be reproduced on their .86 cent stamp.

Special commissions include the World Wildlife Print Portfolio released in 1978. In the same year, the Commonwealth Print Portfolio featured one of her works. Her art and life were the focus of the limited edition book entitled "Graphic Arts of the Inuit: Kenojuak", published in 1981. In 1988, Via Rail Canada commissioned a large mural from Kenojuak for their Club Car series, which featured some of Canada's most highly respected artists. Kenojuak's print Nunavut Qajanatuk (Our Beautiful Land) was commissioned by Indian and Northern Affairs Canada to commemorate the signing of the Inuit Land Claim Agreement in Principle, in April 1990. To commemorate the signing of the Final Agreement early in 1994, Kenojuak conceived and hand-coloured a large and exclusive lithograph entitled Nunavut.

April 1st, 1999 marked the official inception of the new Territory of Nunavut in Canada’s Arctic. To commemorate this historic event, Dorset Fine Arts released a special edition of 99 prints by Kenojuak — a large diptych entitled Siilavut, Nunavut (Our Environment, Our Land).

Kenojuak has received many special honours over the years. She is now a Companion in the Order of Canada, which she originally received in 1967. In 1992, she was awarded Honourary Degrees from both Queen's University and the University of Toronto. In 1996 she received the prestigious Lifetime Achievement Award at the National Aboriginal Achievement Awards Ceremony in Vancouver. In the spring of 2001, Kenojuak was inducted into Canada’s Walk of Fame, and travelled with her daughter, Silaqi, to attend the ceremonies in Toronto. She is the first Inuit artist to be so honoured, and joins many other famous and accomplished Canadians.

Kenojuak has travelled all over the world as an ambassador for Inuit art. In 1969, she and Johnniebo travelled to Ottawa to collaborate on a mural which hung in the Canadian Pavilion at Expo '70 in Osaka, Japan. In 1980, she traveled to Rotterdam, Holland to be present at "The Inuit Print" exhibition which was opened by the Queen of the Netherlands. In 1991, she travelled to Soeul, South Korea to attend the opening of an exhibition of prints and sculpture, and in 1994, she was invited to open the exhibition Arctic Spirit: 35 Years of Canadian Inuit Art at the Frye Art Museum in Seattle, Washington. She also travelled to Ottawa in the fall of 1994 for the opening of Isumavut: The Artistic Expression of Nine Cape Dorset Women. In 2004, she was off to Germany to take part in cultural festivities celebrating the territory of Nunavut, and her contribution to Inuit graphic art. Her major stained glass commission was installed in the fall of 2004 at the John Bell Chapel at Appleby College just west of Toronto.

In the fall of 2007 Kenojuak traveled to Toronto to attend the launch of Cape Dorset Prints: A Retrospective – a major publication celebrating fifty years of printmaking at the Kinngait Studios. This year, she adds to her list of honours the Governor General's Award for excellence in the visual arts. Sponsored by the Canada Council for the Arts, she traveled to Ottawa in March with her daughter, Silaqi, to attend the exhibition at the National Gallery and events at the residence of the Governor General.

Kenojuak is now 80 and the senior member of the Cape Dorset stable of graphic artists. Much loved and well respected, Kenojuak is represented by five characteristically strong and vivid images in this collection.

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47 Water Street, Vancouver,
British Columbia, Canada V6B 1A1

3 blocks east of Waterfront Station

Spirit Wrestler Gallery, 47 Water Street, Vancouver, BC, Canada