In Māori mythology rays are sometimes considered offspring of Punga, father of all creatures ugly, unfriendly and dangerous. True, the ray, in self-defense can inflict painful wounds with its dangerous spines; however I personally believe the ray’s positives far outweigh any negatives. For symmetry, grace and sheer fluidity of form and movement the ray to me is a beautiful creature.
Artist Comment: All artworks have been sculpted and recycled from recovered damaged fragments from trees felled scores of years ago, which escaped the saws of the timber mill. By way of storm and flood relics eventually came to rest on oceans foreshores and river banks near the sculptor’s homes”.
Te Rarawa, Ngāti Paoa, Te Ātiawa
Rex Homan was born 1940 in Thames, New Zealand of Māori, Irish and Scottish ancestry. He lived in Auckland in his early years before moving to the Bay of Plenty. Rex has earned international recognition as a wood sculptor in the 1960s and 1970s and began working in bronze in the 1980s. His current work is influenced by the culture of the Pacific and displays uniqueness in its diversity of form and dramatic flow of lines. Rex has exhibited in solo, group and jury shows. He has won several national awards for “National Wood Skills” and is represented in corporate and private collections worldwide.
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